Though it uses an APS-C sensor, this hybrid model is very well-rounded, with one of the most sophisticated autofocus systems on the market, in-body image stabilization, and advanced video features, including 4k recording at up to 120 fps. Sony cameras are some of the best low-light mirrorless cameras around, and the α6700 is no exception. The Sony α6700 is the best mid-range camera we've tested. It lacks the S5 II's more advanced video features, but it's a great low-light performer for photos, with excellent ergonomics and an even more reliable autofocus system. If you're more strictly interested in photography, the Nikon Z 6II is another great option at this price point. L-mount lenses aren't the cheapest, but with compatible options available not just from Panasonic but also from Leica and Sigma, you'll have a wide range to choose from. On top of that, this camera is a video powerhouse, with advanced features like internal 10-bit recording, 4k at up to 60 fps, and a wide range of recording formats and codecs. While it's still no match for Canon's Dual Pixel AF system, it does perform fairly well overall. The original Panasonic LUMIX S5 was a steal of a camera, and the Mark II improves on it in some key ways, most notably with a new phase-detection autofocus system. This full-frame model has top-tier noise handling performance, so you'll get exceptionally clean image files even in poor lighting. If the cameras above are a little out of your price range, check out the Panasonic LUMIX S5 II. Of course, the original R6 is still an excellent choice, especially if you're primarily interested in photography. If you want more third-party lens options, the Sony α7 IV is another top contender with a wider selection of lenses, although its ergonomics leave something to be desired. That said, lens selection is still relatively limited for Canon's RF-mount. The camera's five-axis in-body image stabilization (IBIS) system can also help you shoot handheld at slower shutter speeds. That aside, the autofocus system is incredibly effective, and its subject tracking works well even in trickier lighting. The added resolution also gives you a touch more flexibility to crop your photos compared to its predecessor. Despite the higher resolution, the R6 Mark II still performs incredibly well in low light, with amazing noise handling in low light. It offers notable improvements over the Canon EOS R6, including a higher-resolution sensor, an updated autofocus system, and improved video features like uncropped 4k video at up to 60 fps. The Canon EOS R6 Mark II is one of the best cameras for low light. In any case, you're sure to find something to suit your needs. Or, maybe you're just looking for the best cameras we've tested, period. If, on the other hand, you're more interested in other kinds of photography, you can take a look at our best wildlife cameras or best cameras for landscape photography. If you're looking for more general-purpose recommendations, you can also see our list of the best cameras for photography. We've bought and tested over 100 cameras in our lab, and below, you'll find our recommendations for the best low-light cameras. A lens with a wider maximum aperture will let in more light and let you shoot in darker conditions at faster shutter speeds. Above all, consider your own ergonomic preferences, budget, and the kind of lenses you'll use. When shooting handheld, built-in image stabilization might be necessary, allowing you to get clear shots at slower shutter speeds. Of course, when shooting in dimmer conditions, you can minimize the appearance of noise by increasing the exposure time and letting more light hit the sensor. Thankfully, modern digital camera sensors have become increasingly efficient at gathering light, allowing for ever-higher ISO settings and usable images with minimal noise in very dim lighting. An APS-C or even Micro Four Thirds camera also offers advantages like portability and smaller lenses, so it's all about weighing your needs. While you can't go wrong with a full-frame camera in low light, your mileage will vary greatly depending on the lens you use, and you can still get great results in low light with a crop sensor camera, given the right lens. Generally speaking, the bigger the sensor, the better for low-light photography.
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